Jordanian artist Abeer Al-Issa and contemporary portraiture language

Abeer Al-Issa achieves the bridge of interaction with visual forms in a portrait language, the essence of which is realistic materials that interact with the expressive space system is symmetrical and harmonious patterns between them, obeying the path of interactions carried by color and shape, and the method of employing them semantically and aesthetically, this is what the portraiture language reveals according to approaches Color that results in a bunch of expressions This language is formed by high-quality technology, recommended by different uses and materials, and it shows the artist’s control ability in space and in the real matter and indicates her talent and great qualifications for achievement.

The artist Abeer Al-Issa says, “The link between the components of the works and their demobilization through a set of disparate elements and transformative uses constitutes a kind of abandonment of the ready-made, and a new aesthetic formula for modernizing portraiture and directing the realistic path towards a new building that takes into account the aesthetic aspect and takes care of the values ​​of the surface and indication. On the sophistication of the plastic

Artist Abeer Al-Issa added, “Art is a free creation that consists of the point of view of the creator and the artist, and the ability of a person to express something aesthetically and unconventional, whether it is kinetic or visual, and drawing for me is a story of love that does not end, it is for me a treatment for my soul and a source for drawing a smile.” On my face, and a gateway to banish negative thoughts from my thinking, drawing is a never-ending pleasure, and as soon as I hold my pen, I hope to reach the world to be a global artist, and to form my own world and my own style for my art and ideas.

The color creations of the soft space, directly above the materials, reveal the near and distant meaning, and a kind of communication between those colors and all the components of the artwork.

The realistic material explicitly discloses the artistic orientation stemming from the multiplicity of visions and the power of perception, by employing a precise and colorful joy that affects the expressive form and renders its aesthetics. The various charming artistic touches are all inevitable expressions that the creative woman, Abeer Al-Issa, sincerely poured and carried with her successful diligence. It also approximates it to the visual material formed by the reader’s eye, which constitutes a strong harmony, and a definite synthesis, between it and the feelings of the readers, especially since its realist and portraiture works are full of suggestions and a kind of symbolism that flows with strong meanings and connotations. This makes her plastic work among the elite, considering that the topics she is working on are consistent with the contemporary realistic plastic orientation in which the portrait embodies all the meanings of objectivity.

All of this makes the creative experience fertile ground for the production of a portrait language full of contemporary realistic expressive worlds, knowledge, and natures, which are manifested in various expressive contexts, characterized by visual acuity and artistic transformations that achieve artistic saturation. All the motif vocabulary within the space constitutes a special formation and another visual expressive language that produces a set of graphic connotations and diverse meanings embedded in the depth of the portraiture contents that express within the scope of the realistic artwork a realistic vision from a conceptual perspective by the artist Abeer Al-Issa, which is an iconic and tangible visual support. Now itself is a real artistic material with a deep significance and a plastic language based on transformed artistic foundations that overload the space with suggestions and place the plastic work in a realistic aesthetic context. And the meaning, as it affects active roles based on the new developments stemming from various humanitarian issues.

In another context, the color creations of the soft space, directly above the materials, reveal the near and distant meaning, and a kind of communication between those colors and all the components of the artwork. In this way, it adjusts between the composition, the distribution of beautiful color, and the spaces, to aim directly at extracting the meaning by means of a portrait language that appears through a set of aesthetic elements, which indicates the high competence of the creator who sails in a renewed realistic world.