The Devil All the Time review – the drama of timed evils

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We begin the review of The Devil All the Time movie with the fact that the individual’s life is shaped by the values ​​that are the nerve center of his emotional and social behavior and the important element in forming his individual personality and defining its goals. Within him are the principles of benevolence, love of virtue, and all benign morals.

But man has been created weak and affected even by the breezes of the fresh air, when many situations are intertwined with all the negatives and positives that they contain, automatically gain him a different character than he was before, some of which may increase the certainty of the necessity to persevere by leaving evil and doing good deeds, and some of them make him a prey to the whispering of all What is socially and religiously unacceptable is that it distracts him from his Lord, who created him and made it easy for him to live and enjoy its goodness, and it makes him lose the respect and love of people completely and without return.

With a narrative and philosophical balance that unleashes a cinematic journey of high caliber, the director and author “Antonio Campos” presents in the film The Devil All the Time a form of drama that plays on the strings of psychological congestion and the change of values ​​and private motives and demonization that kills rationality within human beings, a journey through which Ocampos is a high-level representative crew in order to create a network of interdependence through which the lives of some of them are affected by the actions of others, even if they never meet face to face, and indirectly ring the bells of keen eyes that the devil has followers who carry out his duty at all times and most of them over time.

The events of the movie The Devil All the Time in “Nokmistiff” in the state of “Ohio” through a group of characters who live around that small town. He smiles at her and prevents a crisis from getting worse. We also see the great transformation of “Willard”, who witnessed the ravages of war and was afflicted with great turmoil that killed in its wings psychological peace and devolved him to the method of violence and ruggedness.

Then the events crystallize in the movie The Devil All the Time and follow the consequences of the two actions, especially after “Arvin” grew old and observed with his eyes many paradoxes that the mind does not believe and the wise and cunning person does not accept. Avoid making mistakes and do it with complete conviction.

What distinguishes the scenario is the imposition of a state of balance between presenting the idea directly and inheriting it from the way the cinematic novel, “Antonio Ocampus” has planned in an ideal way for the story about proposing a sequence that belongs to one of the characters as a basic introduction to its content and then follows it with another belonging to another character, then the events follow with an appropriate connection between The stories of these characters reach the finish line and smoothly in the presentation in order to help the recipient to understand the temptation of the film clearly or through the scene narration.

This was represented in following the method of the narrator with whom we follow the events of the film as they pass through all the characters, as he comes in the center of the scene and brings everyone closer and closer to what is happening due to the momentum of the story at the level of detail and giving it to each branch of it a great time to reach the viewer in a believable way, perhaps the movie will only play Not creating signs indicating the time shift from one year to another, either in terms of changing the parameters of the environment surrounding the characters or even on the level of make-up, which is a major factor in the transparency of that particular point.

Looking at the contents of the movie The Devil All the Time, what it narrates does not raise controversy at all or provide projections on a specific event related to the reality lived by humans, but rather it is based on moral dilemmas that actually occur and their effects that are always negative as a result of the state of disorientation and internal tension that shocks an entity The individual is a severe earthquake that has destroyed the highest meanings of humanity and kindness, which God opens many doors to its adherent of goodness that his mind cannot imagine.

Here the movie The Devil All the Time inaugurates the crisis space to show the consequences of every thorny path that the characters take, whether they are on one side and turning some of it, or they were ambassadors for evil claiming to virtue and violators of all that is denied actions (such as the character of the priest “Preston” who was embodied by “Robert Pattinson” And “Karl”, the sexually troubled photographer, who perfected the presentation of “Jason Clark”).

Ocampos also depended on establishing another and different concept of the idea that also sheds light on one of the thin thread that lies within the events. Ocampos included it to understand one of his characters (it will not go into details to avoid burning), which is the idea of ​​delusions and that not everyone claims idealism is believable. And that not everyone who was tempted by Satan to commit sin desires to continue doing so.

These delusions continue to prevail within the events of the movie The Devil All the Time, allowing the viewer to understand the film in a different way and ask several questions within the core of the same idea in order to reach the stage of communicating with what the film symbolizes easily and easily, an homage to “Antonio Ocampus”, who spun The threads of a coherent story are interesting in all its elements and an incubator for its recipients from the beginning of the film until its end.

And because the story of The Devil All the Time movie is based on a network of characters that interconnect with each other at many times, the film needed a skilled acting team that could convey the event and describe it in the most accurate way possible, although some have more depth in the events than others.

The other, except that the film, I need everyone to be in his prime and this is what really happened. For example, the duo “Bill Skarsgard” and “Haley Bennett” succeeded in reflecting the atmosphere of the house full of love and peace, in the beginning, reaching the transformation that knocked on the character of “Skarsgrad” and succeeded It is in its excellent transmission in line with the change in the rhythm of events itself in terms of emotional outburst, despair, and fear of loss that does not wait for the justice of heaven to stop and not happen, an exemplary performance for “Skarsgard” added to what he previously presented in the role of “Penworth” in the “It” duo.

“Jason Clark” and “Riley Cupering” also formed an evil or diabolical duo if you will. They also distinguished themselves by their performance of serial killers at the height of their lives together, despite their limited time on screen, they were able to display growth more and more taking advantage of the prowess of dialogue and writing Ideal for both characters.

Certainly, the spotlight will be on the young duo, “Robert Pattisonon” and “Tom Holland”, especially the performance of the latter, which is completely different from everything that is “Peter Parker”. Perhaps it is difficult to think of such a difficult and creamy performance with expressions and idealistic emotional improvisation from a young boy who is characterized by lightness and spontaneity.

In an embodiment, he was known for her since his recent launch in the cinema, but he succeeded in enhancing his ability to present various roles in various cinematic genres, regardless of their difficulty and the size of their challenges, which made him trustworthy for a director who presents a film weighed in the dramatic part.

On the other hand, “Robert Pattinson” presents a different form that he has not appeared in before, a young boy who claims to virtue and is originally a handsome devil who makes it easy to entrap innocent people for his personal whims, a performance that craves the viewer’s confidence and lures him into the false sense of security that he provides, but with an ideal transformation in the story and the tone of “Pattinson” in giving dialogue and performing a kind of physical movement that raises anxiety.

It turns out that he is originally a model of absolute and mature evil on the intellectual and actual levels. Time after time, “Pattinson” proves that he is a brilliant star who succeeded in breaking out of the cloak of “Twilight”, And presenting a bouquet of the brightest roles that led him to go through one of the most difficult exams in cinema, which is the performance of the character “Batman”.

At the conclusion of the review of the film The Devil All the Time, the drama films that can settle the philosophical aspect of the cinematic novel keep a special effect and a great influence on the viewer who loves “realistic cinema” films, which are considered one of the schools most connected to a wide range of the audience due to the fact that they represent them and represent them, as is the case with our film, which He provided an accurate description of the negative aspects in humans and their effects later, because the film is considered a cinematic material that is well-deservedly added to the balance of that quality, and the most important thing is to learn from it, it is not just a way for fun

Rather, it is, like the Joker movie, a cinematic alarm bell for those whose motives motivate him to distance himself from the right and to comply with himself as the principality of evil.